Discover all the catalogues of exhibitions that have been held at IVAM.
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La Nave 1984-1991
La Nave was a group of designers formed out of a merger between two studios, Caps i Mans and Enebece (NBC). It comprised eleven professionals from different disciplines, from industrial and graphic designers to visual artists, architects and quantity surveyors: Eduardo Albors, Paco Bascuñán, José Juan Belda, Carlos Bento, Lorenzo Company, Sandra Figuerola, Marisa Gallén, Luis González, Luis Lavernia, Nacho Lavernia and Daniel Nebot.
Seminari Internacional Renau i els exilis
On the occasion of the exhibition Renau in exile IVAM organizes an international seminar that brings together experts and researchers whose lectures will connect with the exhibition in different ways. Some lectures provide a contextualized and broader look at the exile, others focus on Renau’s relationship with other friends and artistic environments, or with the specific creative forms with which Renau worked during his exile (mainly mural painting and photomontage). Without the intention of being exhaustive or conclusive, this seminar intends, however, to open conversations and bring together experts to jointly discuss topics of interest and to emphasize the connection between professional, geographical and linguistic areas.
Lejos del vacío. ZERO y el arte de posguerra en Europa
The exhibition Far from the void. ZERO and postwar art in Europe offers a review of the groups of artists that overcame the post-war aesthetic and the existential atmosphere by rejecting expressionist painting, materic gestural abstraction and the informalism that dominated the art world after the Second World War. The contributions of the young artists gathered together in the exhibition were central to the “big bang” of art in the decade of the 1960s. Reflecting on ZERO and the contemporary groups that shared this spirit and formed a dense network of contacts, exhibitions, publications and events (among others, Azimut, Nul, Gruppo T, Gruppo N, Equipo 57, Nove Tendencije), the exhibition displays “congregations” of artists who operated without a unified belief or intellectual leader, but who shared the ambition of “starting from zero” for a new way of making and enjoying art., The structure of the exhibition does not have an encyclopaedic outlook, but gathers the most relevant moments of this brief history, set between 1957 and 1966, during which time there is a cartography of the old continent, beyond the big cities, in the provinces of Central Europe.