8th July 1976, coinciding with the fortieth anniversary of the coup d\u2019\u00e9tat that marked the beginning of the Civil War, the exhibition Spain. Artistic Avant-Garde and Social Reality. 1936\u20131976 was inaugurated in the International Pavilion in the gardens of the Biennale di Venezia. On that occasion the Spanish Pavilion remained closed, although Spain was fundamentally present as a result of that exhibition organised outside the Spanish institutions by a group of artists and intellectuals who were strongly committed politically. They included Valeriano Bozal and Tom\u00e0s Llorens, who acted as curators, and the artists Eduardo Arroyo, Alberto Coraz\u00f3n, Equipo Cr\u00f3nica, Antonio Saura and Antoni T\u00e0pies, who were involved in the development of the entire process and whose works formed part of the exhibition. Both the evolution of the project and its results were very controversial and led to confrontations between various groups of artists and critics.
\nAs Llorens explained, the aim of Spain. Artistic Avant-Garde and Social Reality. 1936\u20131976 was \u201cto make it clear how Spanish avant-garde art has been modelled, in its internal constitution, often with ambiguous characteristics, on the dialectic process of political struggle and, at a much deeper level, of class struggle in Spanish society\u201d. The exhibition constructed a new account of the history of the art of the Spanish State during those four decades, and in a way it has determined the account that is still accepted now.
\nIn view of the part played by Tom\u00e0s Llorens and various Valencian artists in the development of Spain. Artistic Avant-Garde and Social Reality. 1936\u20131976, it is not surprising that the IVAM Collection contains nearly forty of the works that were included in the Biennale di Venezia in 1976, according to the list that appeared in its catalogue. The aim of this show, which forms part of the series of Case Studies, is to contextualise this group of works through a reappraisal of an exhibition that has become fundamental for understanding the art produced in Spain in the last century.
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